From Inspiration to Creation: The Dragons of DeForest Public Art Project (Part 2)

 

In April 2022, when I committed to painting a five-foot-tall fiberglass dragon statue for the Village of DeForest, I wasn’t entirely certain what I had gotten myself into.

I am primarily a watercolorist, and as such, usually create relatively small works. My largest painting to date is on an 18x24” sheet of paper. I’ve never painted fiberglass, but I had heard from other artists that it is a difficult substrate to hand-paint since it is so smooth. As usual, I was confident that I could learn as I went and let the details be future-Mindy’s problem.

Due to manufacturing delays with the statues, what was initially a tight, but manageable, four week turnaround, quickly became wrought with anxiety-spiking unknowns:


April… How can I represent the river on a dragon?

May… What supplies do I need if I don’t know exactly what I am painting?

June… What if I don’t finish in time?

July… What is the fastest way to paint fiberglass?


As excited as I was for the project to launch, I’ll admit that I was relieved when the organizer ultimately decided to delay the exhibition until the following summer. I could finally breathe.

 

I took my son to the Upper Yahara River Trail to gather inspiration. As we walked along the path, he photographed dandelions and threw pebbles into the water; I took in the meandering roots of riverside trees, a robin’s song cutting through the thick summer air, and Oliver gently nudging a caterpillar from the path to grass and out of harms way.

 

My camera and sketchbook were brimming with inspiration - scattered with glimpses of quiet discoveries scattered everywhere. Since the statue hadn’t yet arrived at my studio, the project was full of boundless possibility and I couldn’t settle on how best to represent the river.

 

And then, on one of the last days of summer, it arrived.

Surrendering half of my studio space, I rolled out a dropcloth for the intimidatingly white statue. How would I even begin a project this large? What was I thinking?

White fiberglass dragon statue in an art studio

Five feet of fiberglass dragon statue, primed and ready to paint!

 
 

 
Mindy Wara

Once curiosity begins to flow for intuitive artist, Mindy Wara, she gets swept up in its current. Whether exploring a new medium or researching her next collection, she soaks up all the information she can hold until it floods her studio, saturating her artwork with a deepened understanding and fresh perspective.

Best known for her evocative, abstract watercolor paintings, Mindy’s work spans several mediums and sparks curiosity and introspection. Her dedication to creative storytelling is evident in her founding of the Neurodivergent Artist-Mother Collective and other community initiatives.

Mindy’s work has earned her the 2023 Best Artist of Sun Prairie Award, a 2023 cover feature in Neighbors of Windsor & DeForest Magazine, and a 2022 ATHENA Award nomination. Beyond the studio, she applies creative storytelling to her marketing and design work with mental health organizations, raising awareness and ending stigma surrounding neurodivergence and perinatal mental health.

Mindy works out of her home studio in Sun Prairie, Wisconsin, where she lives with her husband, son, and two spoiled cats.

https://mindywara.com
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From Inspiration to Creation: The Dragons of DeForest Public Art Project (Part 1)